Skip to main content

Legacies: Extended Object Labels: Basement Workshop: Posters

Legacies: Extended Object Labels
Basement Workshop: Posters
    • Notifications
    • Privacy
  • Project HomeLegacies
  • Projects
  • Learn more about Manifold

Notes

Show the following:

  • Annotations
  • Resources
Search within:

Adjust appearance:

  • font
    Font style
  • color scheme
  • Margins
table of contents
  1. Front / Entry
    1. Shu Lea Cheang
    2. Rea Tajiri
    3. Leo Valledor
  2. Gallery 1
    1. Cityarts Workshop
    2. Henry Chu
    3. Basement Workshop
    4. Basement Workshop: Images from a Neglected Past
    5. Basement Workshop: American Born And Foreign
    6. Basement Workshop: Bridge Magazine
    7. Basement Workshop: Posters
    8. Nobuko Miyamoto, Chris Iijima, Charlie Chin
    9. Fay Chiang
    10. Yellow Pearl
    11. David Diao
    12. Leo Amino
    13. Isamu Noguchi
    14. Kazuko Miyamoto
    15. Shigeko Kubota
    16. Yoko Ono
    17. Nam June Paik / John Godfrey
    18. Ching Ho Cheng
    19. Kunié Sugiura
    20. Carlos Villa
    21. Shusaku Arakawa
  3. Gallery 2
    1. John Allen
    2. Colin Lee
    3. ChingMing Cheung
    4. Tomie Arai
    5. Corky Lee
    6. Tony Wong
    7. Danny N.T. Yung
    8. Toshio Sasaki
    9. Zhang Hongtu
    10. Asian American Art Centre
    11. Epoxy Art Group
    12. Kwok Mang Ho
    13. Ik-Joong Kang
    14. PESTS
    15. Tehching Hsieh
    16. Tseng Kwong Chi
    17. Theresa Hak Kyung Cha
    18. Ai Weiwei
    19. Toyo Tsuchiya
    20. Jessica Hagedorn / Helen Oji
    21. Helen Oji
    22. Asian American Dance Theatre
    23. Muna Tseng Dance Projects
    24. Ping Chong
    25. Asian CineVision
    26. Nina Kuo
    27. Christian Frey (Larry Hama)
  4. Gallery 3
    1. Margo Machida
    2. Tam Van Tran
    3. Ming Fay
    4. Arlan Huang
    5. Mo Bahc
    6. ChingMing Cheung
    7. Jean Chiang
    8. Anna Kuo
  5. Gallery 4
    1. Godzilla: Asian American Art Network
    2. Godzilla: Letter to Whitney Museum
    3. Godzilla: From the Basement to Godzilla
    4. Dismantling Invisibility
    5. New Observations
    6. Carol Sun
    7. Todd Ayoung
    8. Byron Kim
    9. Yong Soon Min
    10. An-My Lê
    11. Rirkrit Tiravanija
    12. Dinh Q. Lê
    13. Sung Ho Choi
    14. Michi Itami
    15. Yun-Fei Ji
    16. Nina Kuo
    17. Arlan Huang
    18. Y. David Chung
    19. Simon Leung
  6. Gallery 5
    1. Hanh Thi Pham
    2. Skowmon Hastanan
    3. Patty Chang
    4. Carrie Yamaoka
    5. Ken Chu
    6. David Diao
    7. Martin Wong
    8. E'wao Kagoshima
    9. Albert Chong
    10. Sowon Kwon
    11. Shirin Neshat
    12. Paul Pfeiffer
    13. Byron Kim
    14. Lynne Yamamoto / Kerri Sakamoto
    15. Lynne Yamamoto
    16. Tishan Hsu
    17. Mariko Mori
    18. Al-An deSouza
    19. Michael Joo
    20. Hiroshi Sunairi
    21. Shahzia Sikander
    22. Bernadette Corporation
    23. Mel Chin
    24. Nikki S. Lee

Tomie Arai
b. 1949, New York, NY
Asians in America poster, 1972
Silkscreen print
Courtesy the artist

Arlan Huang
b. 1948, Bangor, Maine
All Out for African Liberation Day poster, 1977
Offset print on newsprint
Chinatown Street Fair poster, 1977
Offset print on newsprint
Arlan Huang, Karl Matsuda, Phil Gim, Peter Jung, William Leong, Rose Chew, May Chew, Mae LingCourtesy the artist

John Woo
b. 1951, Seattle, WA
Mei Mei Brussenburge
b. 1947, Beijing, China
Mei Mei Brussenburge Chronicle, Mei Mei Brussenburge Poetry Broadside, 1978
Silkscreen print
Courtesy John Woo

John Woo
b. 1951, Seattle, WA
Asian American Folk History and Arts Festival poster, 1978
Silkscreen print
Courtesy Wing Lee

Wing Lee
b. 1952, Macau, China
Rock Springs poster, 1977
Contemporary Music Comes to Chinatown poster, 1977
Silkscreen print
Courtesy the artist

Alan Okada
b. 1948, New York, NY
24th Annual Obon Festival poster, 1974
Silkscreen print
Arlan Huang, Karl Matsuda, Alan Okada, Henry Lau
Courtesy Arlan Huang

Arlan Huang
b. 1948, Bangor, Maine
Ping Pong Ball poster, 1974
Silkscreen print
Arlan Huang, Karl Matsuda, Alan Okada, Henry Lau
Courtesy the artist


Silkscreened poster prints were commonplace throughout the 1970s, oftentimes used in demonstrations and political protests. From fighting against the Vietnam War to advocating for workers’ rights, these posters motivated and educated both creators and viewers.

As a political and arts-centered organization, members of the Basement Workshop held silkscreen printing workshops and designed their own prints in order to advertise Basement’s programs or to bring to protests and marches around the city. Tomie Arai, a public artist, regularly contributed her designs for silkscreens. Her work frequently depicts and engages with Chinatown.

Though not originally conceived of as art, these posters were designed to send specific political messages. However, as Basement developed its arts-focus into the late 1970s and 1980s, poster printing became less a tool for political organizing and more a visual arts medium.



Annotate

Next Chapter
Nobuko Miyamoto, Chris Iijima, Charlie Chin
PreviousNext
Exhibition
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org