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Legacies: Extended Object Labels: Godzilla: From the Basement to Godzilla

Legacies: Extended Object Labels
Godzilla: From the Basement to Godzilla
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table of contents
  1. Front / Entry
    1. Shu Lea Cheang
    2. Rea Tajiri
    3. Leo Valledor
  2. Gallery 1
    1. Cityarts Workshop
    2. Henry Chu
    3. Basement Workshop
    4. Basement Workshop: Images from a Neglected Past
    5. Basement Workshop: American Born And Foreign
    6. Basement Workshop: Bridge Magazine
    7. Basement Workshop: Posters
    8. Nobuko Miyamoto, Chris Iijima, Charlie Chin
    9. Fay Chiang
    10. Yellow Pearl
    11. David Diao
    12. Leo Amino
    13. Isamu Noguchi
    14. Kazuko Miyamoto
    15. Shigeko Kubota
    16. Yoko Ono
    17. Nam June Paik / John Godfrey
    18. Ching Ho Cheng
    19. Kunié Sugiura
    20. Carlos Villa
    21. Shusaku Arakawa
  3. Gallery 2
    1. John Allen
    2. Colin Lee
    3. ChingMing Cheung
    4. Tomie Arai
    5. Corky Lee
    6. Tony Wong
    7. Danny N.T. Yung
    8. Toshio Sasaki
    9. Zhang Hongtu
    10. Asian American Art Centre
    11. Epoxy Art Group
    12. Kwok Mang Ho
    13. Ik-Joong Kang
    14. PESTS
    15. Tehching Hsieh
    16. Tseng Kwong Chi
    17. Theresa Hak Kyung Cha
    18. Ai Weiwei
    19. Toyo Tsuchiya
    20. Jessica Hagedorn / Helen Oji
    21. Helen Oji
    22. Asian American Dance Theatre
    23. Muna Tseng Dance Projects
    24. Ping Chong
    25. Asian CineVision
    26. Nina Kuo
    27. Christian Frey (Larry Hama)
  4. Gallery 3
    1. Margo Machida
    2. Tam Van Tran
    3. Ming Fay
    4. Arlan Huang
    5. Mo Bahc
    6. ChingMing Cheung
    7. Jean Chiang
    8. Anna Kuo
  5. Gallery 4
    1. Godzilla: Asian American Art Network
    2. Godzilla: Letter to Whitney Museum
    3. Godzilla: From the Basement to Godzilla
    4. Dismantling Invisibility
    5. New Observations
    6. Carol Sun
    7. Todd Ayoung
    8. Byron Kim
    9. Yong Soon Min
    10. An-My Lê
    11. Rirkrit Tiravanija
    12. Dinh Q. Lê
    13. Sung Ho Choi
    14. Michi Itami
    15. Yun-Fei Ji
    16. Nina Kuo
    17. Arlan Huang
    18. Y. David Chung
    19. Simon Leung
  6. Gallery 5
    1. Hanh Thi Pham
    2. Skowmon Hastanan
    3. Patty Chang
    4. Carrie Yamaoka
    5. Ken Chu
    6. David Diao
    7. Martin Wong
    8. E'wao Kagoshima
    9. Albert Chong
    10. Sowon Kwon
    11. Shirin Neshat
    12. Paul Pfeiffer
    13. Byron Kim
    14. Lynne Yamamoto / Kerri Sakamoto
    15. Lynne Yamamoto
    16. Tishan Hsu
    17. Mariko Mori
    18. Al-An deSouza
    19. Michael Joo
    20. Hiroshi Sunairi
    21. Shahzia Sikander
    22. Bernadette Corporation
    23. Mel Chin
    24. Nikki S. Lee

Godzilla: Asian American Art Network
Founded in 1990 by Ken Chu, Bing Lee, and Margo Machida, New York, NY
From the Basement to Godzilla: The Legacy of Asian American Activism, 1998
Video, color, sound
111 min.
Courtesy Godzilla: Asian American Art Network and Instep Production archive

The founding members of Godzilla viewed their work as part of a legacy of pan-Asian community art activism that extended back to the 1960s. On the occasion of the Urban Encounters exhibition at the New Museum in 1998, which featured six activist art collectives in New York City, Godzilla produced a timeline that mapped its roots to the West Coast’s Asian American movement of the late 1960s, and more directly to the Basement Workshop, founded in 1970 in Manhattan’s Chinatown.

Urban Encounters featured collectives that shaped the trajectory of activist art in the Lower East Side. Godzilla’s installation appeared alongside the Guerrilla Girls, ABC No Rio, REPOhistory, Bullet Space, and World War III.

In response to the sociopolitical and racial changes in the United States, predecessors of Godzilla such as Basement and the Kearny Street Workshop in San Francisco, took inspiration from Third World internationalism, the Black Power movement, the Chicano movement, and the anti-war, labor, and feminist movements, linking political struggle with art production to serve their communities.

The video interviews, conducted with key participants, serve as an oral history that connects Godzilla’s efforts to the activism of the Basement Workshop, considered the first pan-Asian arts and political organization on the East Coast. These conversations provide a unique insight into the long arc and continual evolution of the Asian American Art Movement.

Interviews (in order of appearance)
Alex Chin, Lillian Ling, Liz Yung, Teddy Yoshikami, Nina Kuo, and Larry Hama (all)
Arlan Huang, Eleanor Yung, and Rocky Chin
Fay Chiang and Athena Robles
Lillian Cho and Tomie Arai
Athena Robles and Arlan Huang
Robert Lee and Skowmon Hastanan
Janice Pono and Helen Oji
John Allen, Carol Sun, and Charles Yuen
Edwin Tangonan Ramoran and Ken Chu
Rina Banerjee and Margo Machida
Lydia Yee, Ming Fay, and Bing Lee “Epoxy”
Amy Sadao, Barbara Hunt, and Eugene Tsai
Maureen Wong and Sanda Zan OO (both)
Michi Itami, Skowmon Hastanan, and Carol Sun
Todd Ayoung and Maureen Wong

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