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<em>Crafting Sustainable Futures: Collaborative Visions</em> Exhibition Catalog: Chapter 19 - Eli Kan

Crafting Sustainable Futures: Collaborative Visions Exhibition Catalog
Chapter 19 - Eli Kan
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table of contents
  1. Cover
  2. Introduction
  3. Section 1 - *This Is Not A Drill* 2022 Selected Works
    1. Chapter 2 - Tega Brain
    2. Chapter 3 - Pato Hebert
    3. Chapter 4 - Karen Holmburg
    4. Chapter 5 - Irene Mercadal
    5. Chapter 6 - Richard Move
  4. Section 2 - *Crafting Sustainable Futures Visions*
    1. Chapter 7 - Andrew Hager
    2. Chapter 8 - Shawn(ta) Smith-Cruz
    3. Chapter 9 - Noor Jones-Bey
    4. Chapter 10 - Trish Sachdev
    5. Chapter 11 - Farha Najah Hussain
    6. Chapter 12 - Connecting Through Color Workshop
    7. Chapter 13 - Louis Lu
    8. Chapter 14 - Juan Ferrer
    9. Chapter 15 - Sylvia Juliana Riveros
    10. Chapter 16 - Imaan Deen
    11. Chapter 17 - Darinka Arones
    12. Chapter 18 - Seungyeon Chang
    13. Chapter 19 - Eli Kan
    14. Chapter 20 - Grace Ezzati
    15. Chapter 21 - Kyejin Lee
    16. Chapter 22 - Bingyi Zhang
  5. Section 3 - 2040 Now Showcase
    1. Chapter 23 - Emma Bautista
    2. Chapter 24 - 2040 Now Student Films
  6. Chapter 25 - Exhibition Credits

<span data-text-digest="ccb36cf00ef4ceaa73681ecbd557e5099384c29a" data-node-uuid="9afd2cecf431d5de211403e9b0782e242d2041f9">Eli Kan</span>

Eli Kan

Photograph of a gray stone figure covered in green plant leaves and moss, hanging on a white wall
Image of Oblation, courtsey of the artist.

Oblation, 2023
Digital Photography (original plaster, fig plant, moss, vine), 36 x 84 in.

I made Oblation in 2020 as a response to the rising influence of global warming. From the flooding in Indonesia, to the bushfires in Australia, all I would see in the news was the tragedies that climate change caused. I wanted to create something that inspired hope instead.

Oblation is a plaster statue of my personification of Mother Nature. It has a live fig plant growing from the head of the statue, and is covered in a mix of preserved and live moss. The roots emerging from the bottom of the statue were created by attaching dry branches and coating them in a mixture of plaster and earth. The bees that float around the statue's head are made from dried vine. The name "Oblation" means the act of offering and the statue's hand is outstretched in a gesture of aid given as well as supplication for greater action to be taken.

Photograph of a person with light-colored skin and dark hair wearing wire eyeglasses and a dark blue shirt with white flowers, against a white background
Photograph of Eli Kan, courtsey of the artist.

Eli Kan is an interdisciplinary artist majoring in Studio Art and minoring in Game Design. Born in Wisconsin and raised in Singapore, they draw on their experiences to create their pieces. Their work ranges from comics to digital media to mixed-media sculpture and explores themes of identity, loss and the body. In their free time, they enjoy playing D&D, crocheting, and trying new food around New York. If you would like to see more of their work, you can find them on Instagram @elikan.ink.

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