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<em>Crafting Sustainable Futures: Collaborative Visions</em> Exhibition Catalog: Chapter 3 - Pato Hebert

Crafting Sustainable Futures: Collaborative Visions Exhibition Catalog
Chapter 3 - Pato Hebert
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table of contents
  1. Cover
  2. Introduction
  3. Section 1 - *This Is Not A Drill* 2022 Selected Works
    1. Chapter 2 - Tega Brain
    2. Chapter 3 - Pato Hebert
    3. Chapter 4 - Karen Holmburg
    4. Chapter 5 - Irene Mercadal
    5. Chapter 6 - Richard Move
  4. Section 2 - *Crafting Sustainable Futures Visions*
    1. Chapter 7 - Andrew Hager
    2. Chapter 8 - Shawn(ta) Smith-Cruz
    3. Chapter 9 - Noor Jones-Bey
    4. Chapter 10 - Trish Sachdev
    5. Chapter 11 - Farha Najah Hussain
    6. Chapter 12 - Connecting Through Color Workshop
    7. Chapter 13 - Louis Lu
    8. Chapter 14 - Juan Ferrer
    9. Chapter 15 - Sylvia Juliana Riveros
    10. Chapter 16 - Imaan Deen
    11. Chapter 17 - Darinka Arones
    12. Chapter 18 - Seungyeon Chang
    13. Chapter 19 - Eli Kan
    14. Chapter 20 - Grace Ezzati
    15. Chapter 21 - Kyejin Lee
    16. Chapter 22 - Bingyi Zhang
  5. Section 3 - 2040 Now Showcase
    1. Chapter 23 - Emma Bautista
    2. Chapter 24 - 2040 Now Student Films
  6. Chapter 25 - Exhibition Credits

<span data-text-digest="5337a50429430cb6c950fb3e8c61d1b3640754eb" data-node-uuid="538b59099a391df5b8fd723f68a2b8fe4bb8ea2d">Pato Hebert</span>

Pato Hebert, *This Is Not A Drill* 2022 Fellow

Detail image of pieces of wood suspended from the ceiling
Detail from Study #17 for the Infeasibility of Peaceful Nuclear Explosions. ©Myaskovsky: Courtesy of NYU Photo Bureau

Study #17 for the Infeasibility of Peaceful Nuclear Explosions, 2022
Panamá rosewood, silver leaf, gold leaf, achiote

Study #17 for the Infeasibility of Peaceful Nuclear Explosions draws from the U.S. government's Interoceanic Canal Studies of the 1960s. These studies explored the feasibility of using underground nuclear explosives to blow out the earth and form a new sea level canal to connect the Caribbean and the Pacific Ocean for expanding commercial and military empire. Ultimately, the project was never realized. This sculpture evokes the route proposed for canal option #17 through the Darién region of Panamá.

What newness might arise from political, personal and environmental catastrophes? This question has great urgency as climate change intensifies and the U.S. continues to invent new, smaller nuclear power plants in an effort to satisfy expanding energy needs and sustain the nuclear industrial complex. Questions of nuclear waste generation, transport and storage remain. How might we understand the links between techno-optimism, colonial and imperial precedents, and the devastating impacts on humans and the ecologies of which we are a part?

Photograph of bald person with light-colored skin, wearing a light green collared shirt with pockets
Photograph of Pato Hebert, courtsey of the artist.

Impact, rather than flow, inspires Pato Hebert's Study #17 for the Infeasibility of Peaceful Nuclear Explosions, a very personal exploration of the entanglement of individual and environmental catastrophes. The ceiling-suspended Panamá wood examines the U.S. government's Interoceanic Canal Studies of the 1960s vis-à-vis techno-optimism, colonial and imperial precedents, and the devastating impacts on humans and the ecologies of which we are a part.

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Chapter 4 - Karen Holmburg
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