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<em>Crafting Sustainable Futures: Collaborative Visions</em> Exhibition Catalog: Chapter 21 - Kyejin Lee

Crafting Sustainable Futures: Collaborative Visions Exhibition Catalog
Chapter 21 - Kyejin Lee
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table of contents
  1. Cover
  2. Introduction
  3. Section 1 - *This Is Not A Drill* 2022 Selected Works
    1. Chapter 2 - Tega Brain
    2. Chapter 3 - Pato Hebert
    3. Chapter 4 - Karen Holmburg
    4. Chapter 5 - Irene Mercadal
    5. Chapter 6 - Richard Move
  4. Section 2 - *Crafting Sustainable Futures Visions*
    1. Chapter 7 - Andrew Hager
    2. Chapter 8 - Shawn(ta) Smith-Cruz
    3. Chapter 9 - Noor Jones-Bey
    4. Chapter 10 - Trish Sachdev
    5. Chapter 11 - Farha Najah Hussain
    6. Chapter 12 - Connecting Through Color Workshop
    7. Chapter 13 - Louis Lu
    8. Chapter 14 - Juan Ferrer
    9. Chapter 15 - Sylvia Juliana Riveros
    10. Chapter 16 - Imaan Deen
    11. Chapter 17 - Darinka Arones
    12. Chapter 18 - Seungyeon Chang
    13. Chapter 19 - Eli Kan
    14. Chapter 20 - Grace Ezzati
    15. Chapter 21 - Kyejin Lee
    16. Chapter 22 - Bingyi Zhang
  5. Section 3 - 2040 Now Showcase
    1. Chapter 23 - Emma Bautista
    2. Chapter 24 - 2040 Now Student Films
  6. Chapter 25 - Exhibition Credits

<span data-text-digest="377b6f41ee02b1c8e9cba353ff3215c6c91f121f" data-node-uuid="0a989322e5d48da2c36ac894048c83f7980995c1">Kyejin Lee</span>

Kyejin Lee

Illustration in grays, lavenders, and blues of people in the windows of buildings, with a bridge in the background and water with animals in the foreground
Image of Utopia 101, courtsey of the artist.

Utopia 101, 2023
Digital Illustration, 43 x 58 in.

My artworks, Utopia 101, depict a place where diversity and pluralism prosper. Influenced by Jean-Fran&ccedilois Lyotard (1924-1998), a French philosopher, I have tried to tell a 'little narrative' of every individual in the modern society. Contrary to a "grand narrative," which shows a universal, totalizing approach to various historical events and cultural phenomena, a "little narrative" makes room for multiplicity, incommensurability, and local consensus. In every piece of paintings, there are different people and stories. By depicting the scenes of multiple figures in various circumstances, I wanted to convey the importance of pluralism as well as anti-racism.

As a reflection of a pluralistic society, there are diverse groups of small human figures in my artworks. I have intended to express the Utopia in modern society where individual is respected and people live in harmony with the nature. In my opinion, peaceful coexistence of different interests, ideas, and lifestyles is the symbol of Utopia in the contemporary world. My ultimate goal is to depict various aspects of modern people's life and commemorate them. Though my artworks, I hope I can provide a meaningful perspective on nature and share thoughts on the NYU futures with the viewers.

Photograph of a person with light-colored skin and dark hair wearing wire eyeglasses, staring to the left against a blurred white background
Photograph of Kyejin Lee, courtsey of the artist.

Kyejin Lee is from Seoul, South Korea, and received her Bachelor of Fine Arts and Master of Fine Arts from Seoul National University in Oriental Painting. She will receive her Master of Arts from New York University's Institute of Fine Art in the Spring of 2023. From 2015, she has been working on portraying a utopia where the diversity and individuality are found. Her work explores the diverse lifestyles in society today and the intimate relationship between the nature and the civilization. She deals with themes such as diversity, harmonization, individuality, and ideal spaces.

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Chapter 22 - Bingyi Zhang
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