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We All Return To The Place That It Started Exhibition Catalog: Chapter 6 - Campbell Romano

We All Return To The Place That It Started Exhibition Catalog
Chapter 6 - Campbell Romano
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table of contents
  1. Cover
  2. Chapter 1 - Introduction
  3. Chapter 2 - Alaya Shah
  4. Chapter 3 - Andrei Barrett
  5. Chapter 4 - Becca Panos
  6. Chapter 5 - Benji Hsu
  7. Chapter 6 - Campbell Romano
  8. Chapter 7 - Candice Lu
  9. Chapter 8 - Cecilia Crowe
  10. Chapter 9 - Cynthia Li
  11. Chapter 10 - Darinka Arones
  12. Chapter 11 - Ian Kai Porterfield
  13. Chapter 12 - Isabella Marques
  14. Chapter 13 - Jane Liu
  15. Chapter 14 - Kalia (Kai) Harunzade
  16. Chapter 15 - Nick Horcher بركات
  17. Chapter 16 - Owen Roberts
  18. Chapter 17 - Rory Jackson
  19. Chapter 18 - Sarah Gelleny
  20. Chapter 19 - Yutong Wei
  21. Chapter 20 - Yuxi Ma
  22. Chapter 21 - Exhibition Credits

<span data-text-digest="a450c20a55c45d951ec0b0c9e0646b2c3828cc53" data-node-uuid="63423f109cf22b95afa663d7e0da438e622431bf">Campbell Romano</span>

Campbell Romano

Image painting of two young people sitting on outdoor steps in colors of whites, browns, blues, reds, and black
Image of Steps to Eden Prairie, courtesy of artist.

Steps to Eden Prairie (n.d.)
Acrylic on Canvas 36” x 36”

Steps to Eden Prairie is an acrylic painting that explores the tension between a memory and non-memory in relation to place. It is based on a family photograph that consists of myself and my sister on the steps of our first home, where the formidable significance of early childhood took place and informed later life. Through manipulated figural interpretations, the piece reflects on the idea of not remembering physical presences of truths.

Photograph of person with long brown hair, light beige skin, wearing a black shirt
Photograph of Campbell Romano, courtsey of artist.

Campbell Romano (she/her)

Campbell Romano is a New York based artist born in Minneapolis, Minnesota. Currently working toward her BFA in Studio Art and minor in Art History, Campbell’s practice is centered around family traditions and structures through a reflective process of art-making. In creating two-dimensional pieces, her body of work explores and reflects upon the idea of childhood strangeness by manipulating familial archival photographs, videos, letters, and stories.

Artist Statement

Inspired by a network of rich archival material, my artwork aims to identify relationships under my family structure, and the family structure at large, through figural investigations. Resulting in paintings, drawings, and prints, my practice is heavily process-based. I begin with my family’s archival footage, photographs, letters, or family stories, which is followed by deep looking, note-taking, and a reflection upon my feelings of the moment or archive. I then analyze the intimate relationships on the two-dimensional substrate through a representational, yet manipulated, lens. The interventions I create within the works are done within the figural or background space in order to replicate my feelings upon a specific personal history or memory, and mainly investigate personal.

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Chapter 7 - Candice Lu
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