Skip to main content

Thrones: Extended Object Labels: José León Cerrillo

Thrones: Extended Object Labels
José León Cerrillo
  • Show the following:

    Annotations
    Resources
  • Adjust appearance:

    Font
    Font style
    Color Scheme
    Light
    Dark
    Annotation contrast
    Low
    High
    Margins
  • Search within:
    • Notifications
    • Privacy
  • Project HomeThrones
  • Projects
  • Learn more about Manifold

Notes

table of contents
  1. Cometabolism Studio
  2. Cluvens
  3. Duyi Han
  4. Jesse Groom
  5. José León Cerrillo
  6. Serban Ionescu
  7. Soft Baroque
  8. SR_A / Kohler
  9. Tom Hancocks
  10. Wentrcek Zebulon

José León Cerrillo
𝘔𝘢𝘭𝘦 𝘍𝘢𝘯𝘵𝘢𝘴𝘪𝘦𝘴 (𝘉𝘶𝘵𝘢𝘲𝘶𝘦), 2021
Galvanized steel
31.5 x 24.4 x 29.1 in.
Courtesy of artist and private collection.


José León Cerrillo
José León Cerrillo is a multidisciplinary artist who works across media—print, sculpture, installation, and performance—to interrogate the politics and contradictions of abstraction. Grounding his practice in language and geometric systems, Cerrillo reframes the iconography of modernism and constructivism to destabilize both architectural space and meaning. His objects often act as interventions that echo their surroundings while simultaneously disassembling the structures that contain them.

Male Fantasies is a galvanized steel chair constructed from welded strands of linked chain, forming the iconic shape of a butaque chair—both functional and sculptural in its presence. Originating in colonial Mexico, the butaque is a low, wide-seated lounge chair that merges Spanish, Indigenous, and African design traditions, historically associated with tropical domestic interiors and interpreted by modernist designers such as Clara Porset, William Spratling, Josef Albers, and Molly Gregory, among others. Cerrillo’s use of chain and the charged title evoke layered associations with masculinity, power, aesthetics, language, and the domestic sphere. By fusing libidinal energy with design modernism, the work becomes a site where psychic abstraction and social critique intersect.

Annotate

Next Chapter
Serban Ionescu
PreviousNext
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org