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<em>This Is Not A Drill</em> Exhibition Catalog: Chapter 5 - Pedro G. C. de Oliveira

This Is Not A Drill Exhibition Catalog
Chapter 5 - Pedro G. C. de Oliveira
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table of contents
  1. Cover
  2. Chapter 1 - Introduction
  3. Chapter 2 - Artists
  4. Chapter 4 - Mingyue Chen, Annie Li, Henry Haoyu Wang, Leo Ji, RJ Sun, and Marjorie Yang
  5. Chapter 5 - Pedro G. C. de Oliveira
  6. Chapter 6 - Pato Hebert
  7. Chapter 7 - Karen Holmberg, Andres Burbano, and Pierre Puentes
  8. Chapter 8 - Irene and Camila Mercadal
  9. Chapter 9 - Richard Move
  10. Chapter 10 - Genevieve Pfeiffer
  11. Chapter 11 - Yan Shao
  12. Chapter 12 - Exhibition Credits
  13. Chapter 3 - Tega Brain and Sam Lavigne

<span data-text-digest="5cc3fb30aede4c6116dea14f45d1e253daef49ad" data-node-uuid="a51b675de84c2d7d74ebfed04b154698e2f25df4">Pedro G. C. de Oliveira</span>

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Pedro G. C. de Oliveira

Detail image of white cabinet wwith objects and electronic screens
Detail from Just in Case. ©Myaskovsky: Courtesy of NYU Photo Bureau

Just in Case, 2022
Custom Electronics, Aluminum, Wood, Steel, Living Algae, Found Tools and Objects

Just in Case consists of a participatory research based art project that acknowledges how different epistemologies and different worlds might lead to different theories about climate emergency, ecology, technology, arts, and design.

One of the by-products of the current discourse around climate futures is a stark binary split: Nature vs Culture, Future vs Present, Society vs Capital, Tradition vs Change. This division widens even more when taking into consideration the current techno-solutionist approach to the environment, the generational gap, and the false belief that the Global South needs to be saved by the North.

Just in Case is not only a play on the idea of preparedness and emergency cabinets, but it is also an attempt to minimize epistemic injustice during the creative process.

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