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The River That Flows Both Ways: Catalog Introduction

The River That Flows Both Ways
Catalog Introduction
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table of contents
  1. Cover Page
  2. Acknowledgements
  3. Catalog Introduction
  4. Introduction by Jacqueline Bishop
  5. Plates
  6. Peter Stuyvesant
  7. Harriet Tubman
  8. Bechuana Belle
  9. Ann Zingha, Queen Of Matamba
  10. Mrs. White Wings
  11. Jennie Bobb and her daughter

Catalog Introduction

The River That Flows Both Ways showcases a series of compelling and contemplative ceramic works by visual artist and NYU professor Jacqueline Bishop in her pursuit of commemorating the buried, interlinked histories of the Lenape lands on which most of NYU’s New York campus is located. Featuring archival collage digitally printed on six porcelain plates, The River That Flows Both Ways illuminates the early encounters of African enslaved laborers brought into Indigenous communities by European settlers during the 1600s. These complex interactions and intricate trade routes are juxtaposed with architectural landmarks alongside the flora and fauna native to New York.

This exhibition catalog includes an introduction by artist and NYU faculty member Jacqueline Bishop, detailed images of each ceramic plate featured in the show, and an engaging audio interview where Bishop shares insights into her creative process and research.

Artist Biography

Jacqueline Bishop is a Jamaican-born writer, visual artist, and Clinical Full Professor of Liberal Studies at New York University. Her work shines a light on marginalized voices throughout the African diaspora, blending mediums such as porcelain, collage, painting, and textiles. With exhibitions spanning Belgium, Morocco, Italy, Cape Verde, Niger, the USA, and Jamaica, Jacqueline’s innovative practice bridges cultures and histories.

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