Skip to main content

<em>This Is Not A Drill</em> 2023 Exhibition Catalog: Chapter 6 - David Brooks

This Is Not A Drill 2023 Exhibition Catalog
Chapter 6 - David Brooks
    • Notifications
    • Privacy
  • Project Home*This Is Not A Drill* 2023
  • Projects
  • Learn more about Manifold

Notes

Show the following:

  • Annotations
  • Resources
Search within:

Adjust appearance:

  • font
    Font style
  • color scheme
  • Margins
table of contents
  1. Cover
  2. Chapter 1 - Introduction
  3. Chapter 2 - Artists
  4. Chapter 3 - Ana Anu
  5. Chapter 4 - Jake Zaslav and Cate Byrne
  6. Chapter 5 - Amanda Belantara
  7. Chapter 6 - David Brooks
  8. Chapter 7 - Briana Jones and Lily Yu
  9. Chapter 8 - Mary Mark and Dror Margalit
  10. Chapter 9 - Yeseul Song and Priyanka Makin
  11. Chapter 10 - andrea haenggi, bladderwrack with Dan Phiffer
  12. Chapter 11 - Benedetta Piantella, Syeda Anjum, Haddie Hill, Anjali Shi-yam-saran, Aala Masood Siddiqi, Weiran (Erin) Tao, Bella Vicens, Community Tech NY (CTNY),Kendra Krueger, Katy Burgio, Pete Gamlin, Brittany Hodges, Yoo Jin Lee, gil lopez
  13. Chapter 12 - Sharon Lee De La Cruz
  14. Chapter 13 - Exhibition Credits

<span data-text-digest="6149b8372d4f28158b0e4eb1f8b712ee5760d478" data-node-uuid="de1a0db8a1127997e059fcccea1eb0da401c6f28">David Brooks</span>

Listen to the text of this chapter:

audio

David Brooks

Detail of aluminum sculpture on a table
Detail from Death Mask for Landscape. ©Olivo: Courtesy of NYU Photo Bureau

Death Mask for Landscape, 2022-ongoing

Aluminum Casts

Since 2005, David Brooks has participated in several biodiversity survey expeditions throughout the Amazon basin. He began using a drone in recent years to 3D scan sections of the lowland Amazon forest threatened by logging, fossil fuel industries, and mining. These drone scans record the last moments of these forests' existences. From the scans, he made 3D prints and from those, aluminum casts were poured. Like the centuries-old tradition of death masks taken from the recently deceased, these aluminum castings are literal impressions of forest sections that are no longer living.

Visitors look down at the Death Mask for Landscape castings as one would see these forests from the distancing effects of Google Earth. The digitized rendering of forest cover remains visible in the aluminum castings, the residual effect of an algorithmic capture of a uniquely organic forest body, challenging the technological dependence by which we view the biosphere.

Death Mask for Landscape anticipates an audience in a distant future. The GPS coordinates of each razed site are indelibly stamped onto the surface of the aluminum casts, allowing a future generation to see what once lived at these precise locations. From this, the work seeks to give a sense of agency to those most intimately impacted by extractive industries.

Annotate

Next Chapter
Chapter 7 - Briana Jones and Lily Yu
PreviousNext
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org